3.12.08

Thayne Whiting's Project Pared no. 1


I'm very excited to be providing music for Thayne Whiting's visual art presentation, "Project Pared no. 1" this Friday, December 5 from 6 to 9 pm. This will be an outdoor projection event on the plaza at 160 East, 300 South, in conjunction with the December Salt Lake Gallery Stroll. Cold but clear weather is forecast. Dress warm and stop by as you visit the neighboring galleries on Broadway. 

27.6.08

Music Recommendations, Cheap And Easy: The Beloved

I listened to an old favorite this morning: 'X' by The Beloved.

I generally don't care for house music. 'X' however, I find very appealing.

Even though the structure is mostly typical pop (except Crystal Wave, an instrumental DJ journey), I find the sound very original and distinct. The lyrics are sentimental but somehow not sappy or annoying. Instead there is a sense of sincerity I credit to Jon's mellow, unforced vocal style. 'X' is a notch darker than other Beloved albums.

The atmospheric backdrop contributes immensely to each song. It makes me wish Jon Marsh would release an ambient album. Production quality is tops. It is enjoyable on any system, but the listening experience played loud through quality speakers justifies a substantial hi-fi budget.

After more than a decade, I find 'X' a durable favorite, enjoyable from start to finish.

'X' is not too hard to locate for under $15. I also recommend the previous two Beloved albums 'Happiness' and 'Conscience', which are even easier and less expensive to locate.

10.6.08

Correction: Blue Star Gig Time

The two June gigs at Blue Star Cafe will 7:30 to 9:30 PM, Friday 13, and Friday 27.

2.6.08

Blue Star Cafe June Gigs

I'm very excited to announce two June gigs at Blue Star Cafe. 8-10 PM, Friday 13, and Friday 27. These will be outside on the back patio. More details to follow.

30.4.08

May 8 Gig Cancelled

I'll be traveling to California to race the 24 Hours Of Lemons next week, so Thursday the 8th I won't be playing. Stop by on the 22nd instead.

10.4.08

Low Density

I enjoyed tonight's set immensely and hope the recording was good enough to post. Here's the playlist:
I consider bold releases essential, which today is all but one. Even the Yello is essential to me but is probably a bit old and kooky for many listeners.

The Art Of Noise, Brian Eno, Yello, and Eurythmics tracks are all from classic 80's albums. They should be cheap and easy to find used except the AON which has not been remastered yet. Eno's Apollo from 1983 is an ambient milestone that everyone should own.

The Shpongle and Jairamji tracks are taken from Floatation and Arcana, compilations on Interchill Records. Floataion and some other older Interchill releases can be difficult to get but most are worth the effort. If you can't find Floatation, you may want to try this Alchemy comp which has a nearly the full version of Shpongle's "Saudade 2". It appears as "Flute Fruit" on their wonderful album Tales Of The Inexpressable, but tragically edited down to two minutes.

The best place I know for Bhakta (as mentioned in my review) and Ma Faiza is CD Baby.

The Woob, Gods Of Luxury, and Budd/Brazillia releases will be very hard to find.

The only place I know for ESX Trio CDs is Stephane Blok's page. A bit expensive, but I have successfully ordered from him.

Makyo's 'Suzhou River', which you may have noticed appears often in my sets, is available direct from his site. It's a bit spendy for single 20 minute track, but easily worth it.

The remainder are all easy to find through typical channels.

While The City Sleeps

I just finished pulling a stash of excessively relaxed tracks for tomorrow night's ... um, tonight's set. Very mellow. Look forward to a full 2 hour set combining 20 years of ambient, global, and dub.

31.3.08

Trading Or Selling Copies

This is bound to sound self-righteous, and I'm sorry for that. I don't think I'm better than anyone else just because I have a few rare CDs that people want to get a copy of. There was a time I didn't think copying music was a big deal, but after thinking about it and talking to many artists over the years I've developed some scruples.

If you want good music you need to support good artists. You do that by buying their music from them. If you contact me about trading or buying CD-R copies this is the response you will get:
  • I collect original CDs, not CD-R copies.
  • I NEVER sell copies of anything I have.
  • I may trade or sell an original CD for a fair market value if I don't plan to listen to it again. Items I have for sale are listed here and here.
I will RARELY trade copies under the following circumstances:
  • After extensive research and watching online resources, neither of us have been able to locate the CD we wish to trade for an affordable price.
  • We will both continue trying to obtain an original of the CDs we trade.
  • The trade is for equally rare or valuable items.
  • Traded material is a direct copy or in a lossless format such as FLAC. Source material was never an MP3 or other lossy format.
  • You have a current list of your CD collection I can browse that is not littered with MP3s.
Many great CDs are difficult to locate. I try to mention resources in my reviews to make it easier for my readers and listeners to find the stuff I'm recommending. Here are some other general suggestions for locating obscure music:
  • Check the artist's and label's web sites for a direct purchase option.
  • Contact the artist directly for a purchase. I've had some great success obtaining old stock, used copies, and CD-R copies of out-of-print CDs this way.
  • Be sure your eBay searches have the 'worldwide' location enabled. Don't forget to check Half.com.
  • Check the other regional Amazon.com sites such as Amazon.co.uk, Amazon.de, and Amazon.ca.
  • On the side bar I link to all my favorite resources for hard to find stuff, as well as links to stuff I'm currently selling.
It's miraculous that any good music ever reaches our ears through the glut of crap that big companies shovel into all popular media outlets. You'll notice that most of the artists I discuss here don't have a giant corporation with giant marketing budgets and giant distribution networks. They don't fly home on their private jet every few days during their stadium tour. Many have families and day jobs. Many are under extreme pressure to compromise their creative vision to appeal to a broad market of music imbeciles. Many run their own labels, web sites, and participate directly in their discussion forums and mail lists. Many drop out of the industry for more lucrative work or sell their creative souls for increased sales.

Music is a passion I hope to share with as many people as I can, but pissing out copies to anyone who asks is no way to make the world a better place musically.